
Madison, Wisconsin's PALE YOUNG GENTLEMEN bring a little of the"gypsy" thing to their indie mix. Piano and cello, as well. And, honestly, that's about all I have on them.[MP3] "Clap Your Hands"
[MP3] "Fraulein"

Madison, Wisconsin's PALE YOUNG GENTLEMEN bring a little of the"gypsy" thing to their indie mix. Piano and cello, as well. And, honestly, that's about all I have on them.
Many of you are no doubt already aware that THE KILLERS have released a b-sides collection called SAWDUST. Some of you no doubt couldn't give a flying fig, fart, or f*ck about this. Fair enough. I'm well aware that these guys inspire much venom and vitriol in the indie kingdom. But, if it's true they're only poseurs or pretenders-to-the-throne or glitter-and-stardust flashes-in-the-pan, that only seems apt. They are based in Vegas, after all. To thine own self be true. F*ck 'em if they can't take a joke.
I can't stand Jay Leno. His show makes my skin crawl. But, in switching to NBC one night to catch the beginning of Conan O'Brien, I caught the tail end of a musical performance by Londoner JAMES HUNTER and his band. To say that they had the joint jumpin' would be an understatement.
A four-course, electronic-pop-rock sampler, courtesy of East Coast trio MOBIUS BAND....
A couple dollops of dream-pop, courtesy of the female-fronted, San Fran band MINIPOP....
A voice and sound from my very early youth -- 1972-1975 (or thereabouts). JIM CROCE was a working-class singer-songwriter whose compositions benefited from a dichotomy of earthy acoustic guitar and lush backing strings.
[For no particular purpose, this post is dedicated to all the boring mill operators and certifiable teachers out there. And to Greta.]
DURAN DURAN began in 1978, three years before JUSTIN TIMBERLAKE was born. Their "regular" five-member line-up (SIMON LE BON, NICK RHODES, ANDY TAYLOR, JOHN TAYLOR, and ROGER TAYLOR) came together in May of 1980 (the same month that Mr. and Mrs. Timberlake came together and made the sexy-back-with-two-beasts). Since their early-to-mid-'80s heyday, things in the Duran Duran camp have been consistently up-and-down/off-and-on. Yet -- periodic band-member defections not withstanding -- they seem steadfast in refusing to give up the ghost for good. Call it plucky perseverance (what wherewithal! what sticktoitiveness! rock on, you loveable duffers!) or stubborn self-delusion (get off the stage, you graceless geezers!).
Swedish pop via Swedish popsters SAMBASSADEUR.... They had the good taste to name themselves after a SERGE GAINSBOURG song. They are "Internet-friendly" aka "Internet-savvy" aka "they know which side their bread is buttered on while not looking a gift-horse in the mouth." They speak twee with a shoegaze chaser. (I mix metaphors with wild, abandon-all-hope-ye-who-enter indiscretion.) Sometimes, their singer is a girl named ANNA. Sometimes, their singer is a boy named DANIEL P., DANIEL T., or JOACHIM. Sometimes, Anna and whichever boy it is that sings sing simultaneously. Simultaneously, they sing the pretty songs they sing prettily. (Okay, enough of this hop-on-Swedish-pop nonsense. I just woke up, but I am already in need of a nap....)
"I love you... like a friend."
London's SCOUTING FOR GIRLS might as well be called The Peter Pan Band -- they don't wanna grow up. Well, who the hell does?


A partial post-mortem of the "dead" British band HEFNER. Urban-folk. Indie-pop. Lo-fi. Likeable. Smart. Funny, in a "dark" sort of way. However you parse it: Worth remembering and celebrating.
Dublin lass CATHY DAVEY would no doubt be tickled pink & pleased as punch if you were to check out her second record, TALES OF SILVERSLEEVE. It's available @ iTUNES, as well as [HERE].
FRISKA VILJOR are two merry music-makers from the enchanted land of Stockholm-in-Sweden. According to a free-and-convenient online translation service I spent many seconds seeking, their name means "Fresh Wills" in English. This was a disappointment to me. I wanted their name to mean "Frisky Villains." Is that asking so much? (Regardless, "Fresh Wills" is preferable to the translation provided by a rival free-and-convenient service -- "Freshen Want" -- which I believe was actually the title of a popular, Nazi-era breath-mint jingle composed by GUSTAV MAHLER.) (I could be wrong about this, but I don't think so.)
THE 5TH DIMENSION seems a fairly ideal outfit to help us transition these Sunday mixes from the '60s to the '70s. For one thing, their hit-making years spanned from 1967 to 1972. For another, their 1969 medley of "Aquarius" and "Let the Sunshine In" from the musical "Hair" still serves as a touchstone of the flower-power era. That their subsequent singles went a more adult-contemporary route mirrored what was going on in American popular music in the early '70s. Backlash against those big, bad, scary '60s, I guess.
[MP3] "Aquarius/Let the Sunshine In"
[MP3] "(Last Night) I Didn't Get to Sleep at All"
[MP3] "Wedding Bell Blues"
[MP3] "If I Could Reach You"
[MP3] "One Less Bell to Answer"
[MP3] "Worst That Could Happen"
[MP3] "Up, Up and Away"
Left-click [HERE] to download the fourth and final (for now) '80s mix.
JUDAH JOHNSON is a band, not a man. From the Great Lakes State. Led by DANIEL JOHNSON. Others have come and gone. Compositionally-speaking, simplicity and directness tend to get frowned upon. Even the most straightforward songs circle and swirl. Melodies DO reveal themselves, but bashfully -- geisha girl giggling, batting lashes, behind a fluttering fan. But this is more opium den than whorehouse. More ether than adrenaline.
Another TORR-inspired post....
If you don't like today's tuneage, don't blame me -- blame TORR. He was the one who got me listening to some recent first-releases by British bands.
Sort Sol ("Black Sun") is a natural phenomenon endemic to Denmark:
It's virtually impossible to take SHE WANTS REVENGE seriously as an artistic enterprise. As a JOY DIVISION or DEPECHE MODE covers band? Absolutely. Either one. They've got the drone, the faux Brit accents, the general sense of doom 'n' gloom. But what they don't have is a single ounce or iota of originality. 
Yep, more boy/girl Swedish pop. Too much of a good thing? Bite your tongue. Kiss my grits.
THE LA'S are an odd animal. A curious lot. Their self-titled 1990 album seemed to portend great things for the Liverpool lads, but their promise was never fulfilled. In fact, they never even released a follow-up to that semi-seminal LP. Which, of course, is ONE way to avoid the ever-dreaded sophomore slump.

Stockholm sextet LACROSSE categorize their music as "pop," "indie," and... um... "tropical." Of course, that last one may be nothing more than wishful thinking, what with the Scandinavian winter about to set in and all.
It occurred to me that I'd posted two James Bond themes amongst the other Sunday morning selections these past few weeks [DUSTY SPRINGFIELD's "The Look of Love" (from "Casino Royale," 1967) and NANCY SINATRA's "You Only Live Twice" (1967).]
I just recently re-discovered ALPINESTARS while combing through some old mix CDs. Today's tunes all appear on their 2002 album WHITE NOISE. To the best of my knowledge, they haven't released any new material since then.
Sheffield's MILBURN go all retro-'60s on their sophomore full-length THESE ARE THE FACTS. You'll hear echoes of THE ANIMALS and THE ZOMBIES here, as well as present-day Swedish rockers MANDO DIAO.
Screw the Viagra; these tunes are guaranteed to to give you Norwegian wood. A little blast of audio/visual nostalgia -- complete with high-flying falsetto -- to help you welcome in November....A-HA on MySPACE.
[MP3] [VID] "Take on Me"
[MP3] [VID] "The Sun Always Shines on TV"
[MP3] [VID] "Stay on These Roads"