DIVISION DAY

[I actually completed this entry nearly two weeks ago, but every time I go to post it, somebody scoops me. First, there was The Perm and the Skullet [here]. Then, there was Rock Insider [here]. But so be it. The time is nigh to hitch my wagon to this... um... bandwagon.]

Well, I'm far from the first blog to talk about the L.A.-based quartet Division Day, and I'm sure that I won't be the last. These guys were kind enough to send me a copy of their last EP, The Mean Way In, as well as an advance copy of their upcoming full-length CD Beartrap Island. They have a full eight songs currently available for download on their website, one of which you will also find below.

Describing Division Day's sound is no easy task. Listening to their songs, I found myself jotting down impressions such as: "early Flaming Lips," "Spoon," "Radiohead: Kid A," "Alan Parsons Project"[!!!], "playful-alternating-with-moody art-rock," "slightly unhinged lullaby" [re: "Hand to the Sound"], "understated majesty" [re: "Colorguard"], even "slight nods to '80s new wave." Then I remembered that the band had recorded at John Vanderslice's studio in San Francisco. That locked it in for me, because they definitely share that man's penchant for off-kilter instrumentation, arrangements, and mood.

Thus far, Division Day have primarily toured the West Coast (playing shows with the likes of Xiu Xiu, the Velvet Teen, and Cass McCombs). They're hoping to branch out further in U.S. this coming summer. In the meantime, Beartrap Island will be released in March. Here are my two favorite tracks from it...

[MP3] "Colorguard"

[MP3] "Dayenu" [REMOVED AT ARTISTS' REQUEST]